01The pull
The outstretched figure draws the eye back toward the screen, making attention itself part of the composition.
Making | Art
I draw, paint and build things by hand.The longest project was a fully rigged wooden ship model built over nine years. Alongside it, I continue to paint, draw and work in wood.

9 Years
Hand-Built Ship Model
Oil Painting
Works on Canvas
Drawing
Graphite, Ink & Studies
Woodworking
Objects Built by Hand

The model
2017 – 2026
Fully rigged, painted and mounted on its base — nine years after the first cut.
01 / 5
Oil, acrylic, watercolour and digital — landscapes, wildlife, portraits and invented places.
Mountain lake
Oil · 2025
The hunt
Oil · 2026
Roman general, portrait study
Oil · 2026
Little owl
Acrylic · 2024
Character portrait
Oil · 2025
Botanical study
Watercolour · 2022 (High school)
Graphite, charcoal and coloured pencil — character studies, figures, animals and architecture.
Samurai woman
Charcoal · 2024
Masked warrior
Graphite & coloured pencil · 2023
Future Builders — a city in 2D
Graphite · 2019 (High school)
Castle on the ridge
Digital · 2024
Ballet dancer, figure study
Graphite · 2026
Animal studies
Coloured pencil · 2024
A pair of parallettes I designed and built from birch plywood and beech — from raw material to finished equipment I still use.

Four birch-ply ends and two beech rails, measured, cut, shaped and sanded from raw material.
01 / 03
A pair of parallettes I designed and built from birch plywood and beech — from raw material to finished equipment I still use.
High school · 2020
Built up in paper and card over a shaped form, then sealed and painted.

01
The form
A head-shaped base, wrapped and taped, to build the shell over.

02
The shell
Papier-mâché built over the form, then painted and cut into the basic helmet shell.

03
Panelled
Cardboard armour panels added to build out the faceted shape, then covered with a layer of newspaper.

04
Painted
Hard-edged camouflage over the panels, jaw blocked in black.
High school · Acrylic
Made in high school, this painting explores attention, comparison and the pull of life through a screen. I brought those ideas together in a single interior, using the figures and surroundings to contrast appearance with lived experience.
Details
01The pull
The outstretched figure draws the eye back toward the screen, making attention itself part of the composition.
Magnified detail of Social Media: The pull.